Labyrinth is a 1986 Jim Henson film executive produced by George Lucas written by Terry Jones, a musical fantasy starring David Bowie (and his package) and Jennifer. If you look closely at the banister in the Captain's mansion, you'll see the Faun's head in the design. It's a subtle reinforcement of the idea that the fantasy world. Pan's Labyrinth full length trailer. The new full- lenth trailer for the much anticipated film from Guillermo del Toro! Labyrinth (Film) - TV Tropes. Sarah is an unhappy teenager, who hides from life in fantasy tales to the point of dressing up in a long flowing dress and acting bits of script in the park. The cause of her unhappiness is her father's remarriage and the resulting half- brother, Toby (played by concept artist Brian Froud's son Toby), about a year old at the time of the action. One night, in a particularly big sulk, she wishes that the Goblin King (called Jareth) would come and take Toby away — which, to her horror, he immediately does. He then offers her a dream- fulfillment crystal if she'll agree to forget Toby, which she refuses. Jareth gives Sarah a chance to rescue Toby; he takes her to his realm, where she must find her way through the Labyrinth to Jareth's citadel before thirteen hours elapse. In this she is aided by various goblins and monsters whose allegiance to Jareth is highly conditional or non- existent. An adventure game based on this film was released by Lucas. Arts, written by Douglas Adams. It had some meta humor, in that it began with the player taking on the role of someone going to see the movie, with an annoying nerd yammering on about Fridge Logic in the film (such as why did Sarah eat the peach?) before Jareth appears to pull the player into the Labyrinth. Is a Spiritual Successor to The Dark Crystal, and was itself Spiritually Succeeded by Mirror. In the falangist Spain of 1944, the bookish young stepdaughter of a sadistic army officer escapes into an eerie but captivating fantasy world. Mask. Although a box office flop, it has since become a Cult Classic. The film is mainly aimed at children, but has plenty to engage an adult audience (David Bowie's physique, a few fan- made drinking games, and the many, many tropes available for hunting..). It should not be confused with Pan's Labyrinth, which is not aimed at children, although they are similar films in many ways. Brian Froud, who designed much of this film, later published an art book entitled The Goblins of Labyrinth featuring humorous biographies of the various goblins written by Terry Jones. Many of the illustrations are concept art made for the film, with some small deviations (Sarah, for instance, is a redhead). A four- novel English manga sequel called Return To Labyrinth was published by Tokyopop over 2. Archaia Entertainment announced a graphic novel prequel detailing the backstory of Jareth in early 2. Development Hell kicked in on that, but in the meantime Archaia's Free Comic Book Day collections from 2. Labyrinth, which were compiled in a special 3. Anniversary book in 2. Smith's Novelization of the film in 2. Is Unlucky: The time limit Sarah has to rescue Tobey is 1. Absurdly Long Stairway: Sarah tries to reach her baby brother Toby through what is not only an insanely long set of stairs, but ones designed to look like M. C. He's just as bad with Mayor Spittledrum's name in the manga. Adorable Evil Minions: Their adorableness is debatable but this trope fits the goblins quite well. Adult Fear: At the beginning, after Sarah wishes that the goblins would take Toby away and leaves the room, Toby stops crying and then she goes back into his room and discovers that he's gone! Advancing Wall of Doom: The Cleaners. A Form You Are Comfortable With: Possibly the reason why Jareth resembles the man her mother seems to have left her father for. Agent Peacock: Jareth. All Just a Dream: Lampshaded, then subverted. Possibly. All Musicals Are Adaptations: Averted—it draws elements from folklore and fairy tales, but is not based on any one story (though the basic premise is similar to Maurice Sendak's Outside Over There). And You Were There: Everything in Sarah's room is in the Goblin King's world (as well as her dog), such as the Sir Didymous doll on her bed. Androcles' Lion: Sarah saves Ludo from some goblins and he returns the favor by becoming her companion. He later saves her twice over with his ability to call upon rocks: first when the bridge over the Bog of Eternal Stench collapses, and second when their party proves outnumbered in the goblin city. Animated Credits Opening: A CGI- based one, as a barn owl swoops above and around the titles. Arc Words: . This always leads to Jareth or the Labyrinth itself increasing the difficulty level considerably. For example, when Sarah exclaims this after solving a logic puzzle in her path, the floor falls out from underneath her and drops her into an oubliette from which she only escapes thanks to Hoggle's help. Be Careful What You Wish For: Kicks off the entire plot. Behind the Black: The first trick in the Labyrinth is that the turns from the first hallway are concealed by Forced Perspective and Sarah can't see them until a resident worm points this out. From her perspective she should be seeing them edge- on and they shouldn't have been hidden at all. This may be a magical effect, but the worm's bemused reaction implies Sarah literally has No Peripheral Vision. Bishie Sparkle: Jareth, of course. Bish. Too bad the comic's art beyond the cover didn't follow true to that word; there were many a disappointed fan after opening the book.. Mexican filmmaker Guillermo del Toro returns to the phantasmagorical cinema that defined such early fare as Cronos and The Devil's Backbone with this haunting fantasy. Labyrinth (1986) Quotes on IMDb: Memorable quotes and exchanges from movies, TV series and more. Part five of our series covers sci-fi and fantasy movies. Of all our sections, this was the most difficult to create: not because we argued over the selections. Bizarrchitecture: The M. Escher stairs scene — and everything else as well. It's a magical Labyrinth that constantly shifts and readjusts itself, and most of the walls and doors are alive. Blue and Orange Morality: The Goblin King claims to be generous with Sarah by living up to her expectations: taking Toby away at her request, being frightening when Sarah expected him to be, and setting up the entire adventure for her . Until you realize he's performing her play in front of her. Bookends: The barn owl in flight — arriving in the beginning to observe Sarah in the park, and leaving at the end after seeing her celebrating with her friends. The significance of this is that by the end, the audience knows full well what it really is (namely, Jareth's shapeshifted form). Broken Aesop: A mostly meta example. The film is about growing up and putting childish notions and toys aside - but Jim Henson's success came from remaining a child at heart (see . Cannot Tell a Lie: A guard who always tells the truth; its counterpart always lies. The trick isn't figuring out which is which, but posing a question that would get the same answer from either. Guard 1: Is that right? Guard 2: I don't know; I've never understood it! Changeling Tale: The result of Sarah's wish. Chekhov's Armory: Sarah's entire bedroom. The 25 best fantasy movies for when life just gets too much.Plush Didymus, plush Ludo, the musicbox with Sarah's Pimped- Out Dress, a Jareth- looking statue, a print of that Escher drawing, it's all there. Not to mention, there's a picture of David Bowie with Sarah's actress mother in the scrap book and in the mirror, although this is not a Celebrity Paradox at work. That relates to All There in the Manual backstory: The novelization explains that this fellow is Jeremy, the fellow actor she left the family for. He gave Sarah, who found him glamorous and charming, the music box. Chekhov's Gun: A line she forgot from a play. Sarah: You have no power over me. Circling Monologue: In their climactic confrontation, Jareth circles Sarah as he explains how . However, the novelization notes she has at least one school chum, and her interest in fantasy worlds could well be blinding her to what she could be enjoying in the real one. Being depressed over her mother leaving the family has probably also contributed to her isolation. Crapsaccharine World: The peach dream is bright, colorful, and full of people compared to the drab, muddy Labyrinth. Sarah is intrigued by the glamour, but made uncomfortable by how everyone seems to be drunk and fondling each other. People laugh at Sarah mercilessly after she falls for a prank, and she wanders through it dazed, self- conscious, and completely alone. It is not helped by how Jareth stalks her throughout most of the song, and how everyone is staring at her. When Sarah realizes it's a dream and breaks out, it devolves into everyone trying to grab her. Crystal Ball: Jareth likes to juggle these around and use them for Sinister Surveillance of Sarah as she makes her way through the labyrinth. Cut His Heart Out with a Spoon: Jareth threatens to have Hoggle suspended headfirst over the Bog of Eternal Stench, if he betrays him. Dance Party Ending: One of the earlier examples of this trope. Deconstructor Fleet: Of the fairytale heroine genre. Defeat Means Friendship: Well, not defeat, but more like . Still, Ludo doing so impresses Sir Didymus enough to make peace and call him a friend. Does This Remind You of Anything?: The point of this movie. It's about the transition from childhood to adulthood, and Sarah does just that.. The most frightening part of the movie is when Hoggle, under Jareth's command, gives Sarah a peach that knocks her unconscious and transports her into an illusionary fever dream world in which her agency is compromised and Jareth dances with her. Note that Jareth is obsessively in love with Sarah. She still does. Easter Egg: There are seven Jareth faces hidden in the scenery throughout the film.'8. Hair: Especially Jareth, who is all new romantic- y looking. How many anime characters copied that cut? The Eleven O'Clock Number: . Arrogance, fond of Exact Words promises, and being as unfair as possible while claiming he's being totally fair. Fake- Out Opening: A princess is running across a verdant field onto a medieval bridge, speaking to an unseen opponent. Oops, it's starting to rain - Sarah is wearing jeans under that dress, and runs into a quite modern town. Female Gaze: There's a reason the internet is more than a little bit obsessed with David Bowie's crotch. Freeze- Frame Bonus: One of the newspaper clippings has Sarah's actress mother dating in the newspaper.. Word of God said this was intentional. It's not a Celebrity Paradox, but is related to the All There in the Manual backstory: The novelization explains that this fellow is . Which explains why the Goblin King looks like David Bowie — her mother effectively left her father for him! Furry Confusion: Sir Didymus, some sort of dog- knight, is astride a normal- looking dog. Pan's Labyrinth Movie Review & Film Summary (2. Guillermo del Toro's . It's a fairy tale of such potency and awesome beauty that it reconnects the adult imagination to the primal thrill and horror of the stories that held us spellbound as children. If you recall the chills that ran down your spine and the surreal humor that tickled your brain in the presence of . Murnau or David Cronenberg), you'll discover those sensations once again, buried deep in the heart of . Some kids under 1. Spanish or don't mind reading subtitles), but it's a harsh and uncompromising film - - although less gory and violent than many video games. Opening titles set the story in Spain, 1. Franco's fascist regime. And then, immediately, before we can grasp any visual bearings in that world, the subterranean voice of Pan (a faun, whose name . Next door is an ancient stone labyrinth, a place that's easy to get lost in. The night of their arrival, Ofelia clings to her mother in bed as the creaky old house moans and Ofelia's unborn brother restlessly kicks. Carmen asks her daughter to tell the baby a story, to calm his nerves (as well as Ofelia's). The girl rests her head on her mother's belly and the camera, positioned at the foot of the bed, descends into Carmen's womb, where we see the fetus suspended in warmly glowing amniotic fluid. Ofelia tells of a rare and beautiful night- blooming blue rose that once grew on a mountaintop (a reference not only to the lore of the blue Meconopsis poppy, but perhaps to David Lynch's . The camera moves to the right and there's the rose and the mountain. Then it descends into the prickly brambles where a mantislike insect (previously encountered by Ofelia in the woods) alights in the foreground. The bug takes wing and the camera soars to keep up with it, past the moon and onto the stone sill of the room where Ofelia and her mother lie in bed. Advertisement. This astounding and fluid composite shot serves as a microcosm of the whole movie: a graceful, complex but seamless, seemingly inexorable movement that weaves in and out of fantasy and reality so that each becomes an extension of the other. Whole worlds open before our eyes and then fold back upon themselves; dimensions of time and space are creased into shape as if the movie was an elaborate origami creation. Meanwhile, bugs and monsters (lethal and benign) buzz, squirm and shuffle through the forest of Ofelia's imagination. Pan, a creature with the head of a goat and the body of a contorted mammalian tree trunk, believes that Ofelia herself is (surprise!) the reincarnation of the dead princess, and gives her a series of tasks to prove she is indeed the lost royal. Ofelia's challenges do not arise like arbitrary plot obstacles; they are organic to her (and the movie's) development. The girl learns not only to follow instructions, and that there are heavy prices to pay for failing to abide by them, but also to trust her own instincts about right and wrong. In order to find her true self, she must also find the strength to break the rules imposed by authority. An individual conscience: What could be a more powerful anti- fascist weapon than that?
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